Update August 2020

 Hi Everyone!

AT HOME:
To start on a sour note, as I read a reference of people dying from the 1918 pandemic until 1923, it seems we all need to make the best of a bad situation and, though the onus is on the individual to keep themselves safe, we went for a walk with close friends, ‘together’ yet as separately as possible. Life won’t be without risk for no one knows how long. It’s hard to live in a tourist area with this going on, though some spots are less populated, so it’s safer than if we were still living in London. I would ask every visitor to remember that wherever they go, it’s where someone lives and to treat that area with respect.

Sadly, like warnings against piracy of books, music, films, etc., those who pay attention wouldn’t do it, and the rest don’t care or happily steal. So asking people to bin their litter or take it home is likely a wasted effort. I can’t help thinking we need to go back in time and run those Keep Britain Tidy campaigns once again. When I was a child, you dropped litter in the street and you could expect a clip on the back of the head from a parent. Rubbish and human waste are always a problem but have been a particular bane in the South West this year.

FILM/TV:
Nothing particular to report. We’ve started watching Star Trek Discovery but can’t say we’re taken with it. (Warning for spoilers.) Finding it slow and love…not…

…how the main character is getting her end away while the bad guys torture her captain. I’m afraid I fell about laughing. Also, major plot hole when doctor alerts the person who may not be who they think to their face without first telling the captain and ordering a security detail. I understand ‘why’ they did it that way, but if I could think of at least two alternative scenarios to bring about a similar outcome, I would expect writers of such a series to do the same. I would have previously voted Voyager to be my least favourite Star Trek series, but this may be a close call.

We watched to the end of the current series of The Blacklist — a series we’ve always enjoyed — that alas they had to finish partly by animation because of the pandemic. May be some time before we see the next season.

For fans of the actor and of Marvel, it stunned many this week to hear of the tragic death of Chadwick Boseman. I couldn’t imagine anyone else playing the role of Black Panther with a quiet regal dignity the character needed. Characteristics which seem to describe the man himself from what his closest friends say and the fact that he quietly battled colon cancer for 4 years.

READING:
The Witcher: Time of Contempt, Andrzej Sapkowski
While I’m not saying these books contain the best writing (perhaps a little becomes lost in the translation), they continue not to disappoint. In this volume, the situation heats up with all out battles and portents of war greater than the world of the Witcher has experienced to date.

Allotted Time, Robin Shelton
Not a laugh out loud read but still pleasantly humorous memoir/diary of two hapless gardeners who still made something grow. The only thing the book lacks is photos of the shed and the greenhouse which I would have loved to see.

Audrey Rose, Frank De Felitta
The classic story of reincarnation. I’m unsure what genre I would place this in. It’s not scary and, for me, goes on too long, though it’s a perfectly excellent telling of a series of logical events including a court room enactment. Though some may say farfetched and it likely wouldn’t happen today, I particularly like how those in authority, including the judge, all put their own careers above the possible mental or physical safety of a child. Something rings true about the media circus and ‘trial of the decade’ debacle to this day.

Dead Trees Give No Shelter, Wil Wheaton (ebook)
The story of two boys, one who died young and one now an adult, still haunted by the mysterious circumstances of his brother’s death. While many could write this story, it’s expertly told, and, like most monster stories, the true face of the fiend may not be all it seems.

The Wise Friend, Ramsey Campbell
This story has the warm, welcoming tones of Lovecraft feeding on a sense of something otherworldly and disturbing. Worlds within worlds, and secret universes glimpsed but seldom seen. Disquieting in style rather than scary. I felt a few sentences were awkward and would have liked more dialogue tags but enjoyed the read.

The Witcher: Baptism of Fire, Andrzej Sapkowski
Though I’m not so taken with the tell rather than show sections of this series, I’m still absorbed in the world of The Witcher. This book reveals a new take on a classic monster and an ironic surprise at the end. On to the next…

A Head Full of Ghosts, Paul Tremblay
Feels wrong to say I enjoyed this book because of the subject and the outcome. Alas, this novel suffers from reader expectation, tainted by what the book’s blurb and endorsements promise, especially if the reader has loved a previous work of the author more. I would call this a book of suspense, or psychological horror…though, as Tremblay expertly questions in the end notes that may depend on your definition of horror. At times, the book has a Young Adult flavour, though that’s understandable as the main character imparts her story to another. Well written and constructed the unease (for me) comes filtered through the mind of an ill child… or does it? That’s for each reader to decide, but I know where my conclusion lies. It’s a fine novel and quality read, but never scared me. Still, I like Tremblay’s work and will read more as he seems to write subtle fiction open to question that lingers.

WRITING:
I’m approximately halfway through my first draft of my first horror novel. And I received my author copy of Night to Dawn magazine which features reprints of my short story The Wolf Moon, and my poem, Ichabod, Ichabod, Ichabod. It’s due for release in October.

Stay happy and healthy!
Sharon x

Cheese that...Isn't

I rarely bring consumer affairs to my blog, and this is repost, but having popped two pizzas in my next click n collect shop, this sprang to mind. Have you ever heard of Analogue Cheese?

No, I hadn’t either until I saw a mention of it on television. Analogue Cheese is cheese that...well, ‘isn’t’. You can read more on it here in this wiki reference: http://en.wikipedia.org/wiki/Cheese_analogue but honestly, this makes it sound more palatable than it is. In the programme I watched, they made some in its raw state and it looked like baby sick to me. According to the presenter, it didn’t taste much better either.

It’s actually fats, emulsifiers and powdered milk, and if you’ve ever eaten a supermarket pizza or ready meal, the chances are you’ve consumed some. I don’t buy ready meals and we eat little pizza; when we do, I sometimes make my own, but I’ve vowed never to eat a cheap pizza again. Yuck!

I’ve since been informed that there was a huge scandal in Germany over Analogue Cheese resulting in a swift ban. Pity the UK never acts as quickly regarding such cases. The law shouldn’t allow manufacturers to call this cheese. It’s a cheese substitute, which comes in a variety of flavours, including Monterey Jack, so even looking at the ‘type’ doesn’t help.

We try to eat healthy, eat very little processed food and buy fresh produce, but even I had no clue cheese existed that wasn’t cheese. As someone who loves cheese I’m particularly disgusted, even more than I am by the thought someone invented things like cheese string, and cheese sprays, and advertise these to feed children.

There’s an overall complaint re the rise in obesity in the UK and an increase in certain forms of cancer, but are consumers really entirely to blame? Yes, overeating and lack of exercise is a problem, but I find it horrifying to think we’re becoming a nation that no longer seems to know how to cook. I was talking about this with a friend recently—a friend who lives on other people cooking for her or ready meals. I giggle when she claims to be ‘cooking’. Taking something out of a packet and putting it in the oven is not cooking: it’s heating something up. Yet I’m more horrified by the thought many ready meals contain a large proportion of chemicals and most of us don’t even know they are present. NOTE: this applies to Vegan meals, too!

Is the consumer entirely to blame for eating food advertised as cheap, convenient, and possibly misleading as to its contents and health value? I think not. I also don’t even think people are solely responsible  for not knowing how to cook. Many parents no longer teach their children to cook because no one taught them. A good deal of cookery or (as we used to call it at school) Home Economics classes are under threat or have even disappeared altogether owing to budget cuts. The government wants our nation to get fit and be healthy yet, typically, they’ve created part of the problem. For people to understand nutrition the subject needs teaching in schools and to include showing children the consequences of what they eat.

One other thing my friend and I agreed on is the way we eat. Most specialists will say that overweight people eat as a substitute for something missing in their lives. While I believe that comfort eating exists and is a genuine problem for some, I also grit my teeth and think a few choice words when I hear this.

Fact: food is a pleasure and as a race, humans love indulging in pleasure. Food tastes good! It’s that simple and I think if we could eat what we like without consequences a large proportion of the world’s population would indulge.

Yet, it’s also ‘how’ we eat, not what we eat, that I believe has consequences. Did you know that you should chew each mouthful 32 times? Yes, I know how ridiculous that sounds, and it’s a rather antiquated view, but there is some sense to this. Too many of us gulp our food. Some people lose weight just by eating more slowly and have said they felt more satisfied.

Why? Think about it. You’re gulping your food and your stomach doesn’t have time to process that it’s full until it’s ‘very’ full. Over time, your stomach stretches and wants more food. The human stomach is actually only about the size of an apple. It doesn’t need huge portions at any one sitting. In my grandmother’s day, they had four meals in a day: Breakfast, Lunch, Dinner, and Supper. I don’t remember snacking because they spread out food, so we never ate a huge portion—most people couldn’t afford to—yet never went hungry.

Gulping food and not chewing requires the body to break down whole chunks of matter. The eating process should begin in the mouth. The idea isn’t to chew to get food down one’s throat, but to break down the food so the stomach can then work on it. Swallow unchewed lumps and then the digestive system needs to work overtime. I wouldn’t be surprised if this isn’t a strain on the body or that we fail to digest certain nutrients as a result.

Gulp food and what happens is we finish the plate, think, “Ooooh that was nice. I’ll have some more of that…” when what we should have done is slow down and enjoyed what was already on the plate for longer. Some people eat so quickly they cannot possibly taste half of what they eat.

I’m just as guilty. I do my best, but even I eat things I shouldn’t. I’m in a hurry and eat on the run. I don’t do enough exercise, though I try, and I’m equally determined to slow down and chew my food…I just won’t be chewing many more store-bought pizza and fake cheese.

Note: Apparently, there’s nothing ‘wrong’ with Analogue Cheese from a health point of view. For those with food allergies it can be a helpful substitute, but it’s not as if we’ve not heard that before. In addition, I don’t care whether it’s harmful. At the very least, it’s fraud.

Public vs Private

 

During this pandemic crisis, with political tensions running high, this may be the perfect time to ask when should a writer (or anyone with a public persona) keep their beliefs private and when should they make them public?

Not all of us share the same beliefs. I’m glad of this. Not only would it make for a boring world but imagine if we all believed something horrible, such as cruelty to children or animals was fine and the fate of the planet wasn’t our concern. Strong beliefs make us stand up, speak openly, defend and protect those who cannot do so for themselves. Standing up for one’s beliefs can lead to changes for the better. Differences of opinion lead to breakthroughs.

Alas, the sad, simple fact is that not of us can agree to disagree. That’s why the advice to be careful what you state publicly can be perfectly understandable. They say never discuss sex, religion, and politics...considering some things I’ve written there’s at least one of those topics that’s occasionally been unavoidable, but that doesn’t mean I have to let the public into my private life. Besides, what do you want to know? I’m a normal person, like my readers. I crawl out of bed in the morning, brush my teeth, stumble into the kitchen in search of that first coffee. I also wash clothes, clean the house, cook, shop...have friends and family. In addition, I make mistakes, apologies, laugh, cry, get sick, heal, and hurt, for myself and for others.

There are some things that are unavoidable. I can hardly write romance without declaring that I believe people should be free to love whom their heart tells them to love. I can’t write darkness without delving into the mysterious and questioning justice. You only have to read my work to know that. I realise there are those who will vehemently disagree with me and may even hate me for it. All I can say is that there is more than one element to my personality. I feel a view that dictates because our beliefs differ we cannot be friends is short-sighted.

Do I agree with all the things my friends believe in? Do I agree with all their decisions? No, of course I don’t. I have friends who are homophobic and rather than attack them for this, if they wished to discuss the topic I would hope we could do so sensibly and intelligently. I would like to know why they feel the way they do, and I would be open to explaining my viewpoint. Ultimately, they are entitled to their beliefs as long as they don’t victimise others for it. I don’t expect all my friends to like each other, but I expect all of them to respect they are all my friends and to be civil should they ever meet, especially if it’s under my roof. I don’t believe to like another person you both have to share the same sexual, religious or political belief. I’m capable of agreeing to disagree, and that’s one thing I wish was more widespread.

There are limits. There are some things in this world I couldn’t tolerate but they are usually in extremes and no one should want someone around who feels certain forms of abuse are fine, but I’m not talking about that level of animosity. I’m a different person to you. If we all wanted to love thyself to this extent, there’d be no reason ever to say hello to another human being.

Therefore, don’t assume that because I’m friends with someone in my private life, or elsewhere, is someone with whom I share the same beliefs, especially in this world of social media. I don’t know what may lurk in all those dark hearts, though the horror writer in me likes to explore this question. Never assume all the viewpoints in the stories I write are from my personal viewpoint. One aspect of a writer’s job is to show all sides of the argument, without getting into a public, personal disagreement.

Dragon #7

 

This is a memory of when life was normal, and we were all able to go out and about without worry. Seems fitting as we’re struggling to find somewhere that’s not heaving with people.

Found this little guy in a shop in Wales last year. I also liked a wolf, but it was far smaller and they were all the same price, which didn’t seem right. When collecting dragons, for the sake of space, sometimes I have to go small.

 

Update July 2020

Hi Everyone!

AT HOME:

Have battled the weather to get the front door and window sills painted. We still have two window sills to do, but we cannot believe the difference. I won’t share what I called the colour they had painted the sills originally, but it’s so nice to see it going, if not gone. Looks like a new house.

Still not ventured out yet, in part owing to the weather which has been mostly miserable recently, but also because the Southwest is pretty much sold out with beach carparks closing early mid morning because they are already full. We’re considering this year to be a washout and have no plans to go anywhere or to meet up with anyone, but we do need to get walking. With that in mind, I’m researching some lesser-known walks of the type most tourists avoid.

FILM/TV:

Watched a series I won’t name because of spoilers but when the secondary character dies at the end (or does she?) and you’re relieved because she’d become annoying, and you feel the lead should have got over her long ago, it’s not a good sign. Unfortunately, nothing particularly wonderful springs to mind, though if you like Will Ferrell humour (for me it’s hit and miss), Eurovision was a better film than I expected. There’s not a lot of new stuff coming on anywhere, no doubt because things are on hold, not getting made, and the networks fear of running out.

READING:

Glad to say I’m keeping to a greater number of books read this year.

The Godsend, Bernard Taylor

If you love evil-children tales, this is for you. Though there are maybe few surprises it’s the author’s style that draws in the reader. And it’s written in such a realistic way, it’s entirely plausible. In one sense, it’s quite a basic book and when I began I didn’t expect to like it all that much, but there’s something about the pacing that makes this insidious. Big blue beautiful eyes have never been so untrustworthy.

Amuse Bouche, Anthony Bidulka

A light amusing read with a likeable protagonist in the form of Russell Quant, private eye. There seem to be complaints that this isn’t a gay romance, but I never thought it was or should be, least not in the first book. Fast-paced entertainment. The ending for me, unfortunately, didn’t come as a surprise.

The Witcher, Blood of Elves, Andrzej Sapkowski

From reviews, it appears the Witcher books are a little like marmite. While I found some passages in this book duller than any of the previous titles, those parts were necessary to the overall narrative. I like that these books come together with never the same pattern. A kind of tapestry of short stories that makes the Witcher so different. In this book we learn more of Ciri and what happened to her where the Netflix series left off.

Something Nasty in the Woodshed, Kyril Bonfiglioli

Though the subject of rape is definitely not one for amusement, it’s the only sensible choice to make the plot of the third Mortdecai book work, though it tarnishes an all too easily worked out (for me at least) implausible plot filled with tangents. Still, I continue to love Mortdecai’s manservant/bodyguard, Jock, most of all, and if you’re one upset by politically incorrect classism and sexism, then none of these books are for you. Anyone who’s reached book three knows how antisocial and pretty much anti anything except booze, Mortdecai is. Take him as he is or don’t. There are some classic lines, as always. There are two other books (one finished by another writer when the author died and murmurs are only one is worth a read) but for the moment I’m unsure if this is where I will stop.

The Vampyre, Tom Holland

A well thought out, well-written fabulous blend of fact and fiction, but as one character tells the story to another, I felt distanced from the action. The strange circumstances which take Byron to visit the ancient castle are all too reminiscent of the most famous vampire, with, for several pages, Byron taking on a similar role to that of Jonathan Harker, and Vakhel Pasha, that of Dracula. There were parts I found absorbing, other areas where my attention wandered. The creatures that occupy the castle give the classic Igor competition. Still, overall it’s an excellent work with ideas both incredible and ludicrous, often hallucinatory. I came to love the book, though some of my feelings remain ambiguous.

Phantoms, Dean Koontz

Another reread for me as part of a possible book clearance. Dean Koontz often gets shelved in the Horror category, when his work is more one of supernatural thrillers, some with science fiction or horror sub-genres. This book covers all these in a well blended, often edge of the seat chiller. When death comes to a small town in several bizarre ways, it raises questions about life, various belief systems, and the nature of good and evil. I’m unsure if the sub-story featuring a murderer’s arrest worked for me or was necessary to the overall plot. And the ending also took a little longer to complete than was ideal, but this is a well-written book with an excellent story. One I dither over whether to keep.

The Diary of a Nobody, George and Weedon Grossmith

A classic which I first read as a teen, surprising my then English teacher when I chose it from the school library. Loved it then, adored it now. Perhaps surprisingly, it first appeared in Punch magazine in the late 1800s. Though simplistic — a middle-class gentleman seems to think his diary has as much chance to see publication as anyone else’s — it’s an exaggerated, humorous look at society and social observations, yet contains an underlying sadness. Part of the fun (and less cheery tone) comes from the things Mr Pooter finds so amusing and which plainly are not. The tale remains charming, and the illustrations delightful.

WRITING:

I drafted some and wrote a synopsis submission for a story I’ve been asked to write, though it will go through many changes. I confess I hate writing this way. Usually, for fiction, you write before you submit. Having a story accepted based on a synopsis means a real deadline once given the go-ahead. It’s why, despite being told I shouldn’t, I’ve penned a ‘few’ scenes — it’s the way my mind works. I’m a pantser mostly and have no clue what direction the story will go until I write. The more I’m bogged down by plot, the less inspired I feel. It’s the age old argument between plotters and pantsers, but really one figures it out beforehand knowing things may change, while the other figures it out as they go, fixing things in edits. For me, the second option is definitely more fun. Having said all that, I’ve also been figuring out a rough guide for the horror novel I’m writing and I’m about a quarter done. I don’t have a market for this in mind, but the story has nagged me long enough. I need it out of my head before I worry over its future.

Stay Well and Happy Reading!
Sharon x

Subdued Creativity

Life on lockdown is strange. Yes, I know many are acting as though the whole thing is over, but I have family and friends in medical services, and I know it’s not. Even when your daily routine isn’t all that effected, there’s something about lockdown that seems to subdue creativity. I’m not the only writer who has complained about a lack of motivation.

Needing an outlet and something to lessen the stress of lockdown and that motivational abyss, I tried my hand at a more recreational pastime. Instead of fingers to keyboard or pen in hand, I picked up a pencil and paintbrushes. With the help of a few art project books, I started drawing again.

Life is never easy, though this time comes with its own range of particular difficulties. Hoping to pass on something a little inspirational here are a few of those practice pieces. One thing entirely new, I’ve been learning to sketch which is a distinct form of drawing and one that’s a little unsettling as most of these I’ve done straight off with a black pen.

I’ve tried to start drawing again before but it’s never felt as right as it does now. I think my focus was elsewhere and I was forcing it. Whatever you’re doing at this time, and where ever you find inspiration, many people are trying something new and I hope, along with reading (never stop reading), you find something else to do equally enjoyable.

Dare to be Different?

This week I thought I'd share this little oddity I found on Youtube. Could be a metaphor for life. May entice you to think outside the box. Love all the spins on this…plus there's that earworm.

You Only Read Six

Something a little different. I did this some time ago but decided to see if I'd increased my score by picking up some of those lurking in my To Be Read pile.

Apparently, the BBC believes people only read 6 out of 100 books they've listed. Want to see if you can top my score of 61 (previously 58)?

http://www.listchallenges.com/kaunismina-bbc-6-books-challenge?fb_ref=Default

Chances are...

You will write something you love.

You will write something you hate.

Something you once loved you will come to hate and wonder what in the world you were thinking.

Something you once hated will become loved because you will realise there was more going on in the story than you first thought.

Something you love and even believe is one of your best works will flop.

Something you consider to be weak will be well received and even be a huge success.

You will write jokes no one else gets.

People will laugh at points in the story where you least expect.

You may try a writing contest and get nowhere. The winning entry will leave you scratching your head or possibly sobbing into a pillow.

You will fall out with at least one editor, or one will fall out with you. (This doesn't mean a screaming match. Fall outs are often quiet. It happens. Personalities clash. Opinions differ. Most publishers understand this and will assign the writer to a new editor.)

You will worry.

You will read something outstanding and wonder whatever made you think you could write.

You will read something lousy and wonder why you are getting nowhere when your work is so much better.

You will want to give up...

...and then get an idea you 'must' write.

You will be determined never to stop...

...until the next time you want to give up.

My Writing Process (past blog tour)

In 2014, I was nominated for a blog tour without my knowing. I could trust my co-writer and editor, Andy Frankham Allen, not to tell me. I guess he counted on me reading his blog...and it appeared he was right. This was my entry, which I reproduce here with updated footnotes. 2014…where has the time gone?

Q1 What are you working on?

Not as easy to answer as it should be. I’ve recently finished one lot of edits for a steampunk work and had decided to write a third in a published series of romance titles only to realise a need to edit books one and two as I reread them. That turned into an exercise of shock mixed with the delight of seeing how well I’ve improved in five or six short years. And while I did that edits for another book arrived. I’ve just returned the first round but don’t expect it will be long before the second arrives (there’s usually two before line edits etc), so I’m jumping about at present. Interruptions and having to hop between works is one thing I never accounted for.

UPDATE: The romances I mention were finished up and published, despite personal problems and a necessary move causing a good deal of interruption.

Q2 How does my work differ from others in my genre?

A genre is a bit of a painful topic for me. I’ve been calling myself a multi-genre writer, but I realise that’s not an easy achievement. Readers will seldom follow a writer through multiple genres — a fact that had never occurred to me. Yes, I know, naïve, but then I’m a reader who will stick with writers I love no matter what they do. I’ll at least give all their works a try, and I read so widely it seems strange to think there are people who read a single genre. I cannot imagine life without reading at least two or three different types of stories. I always say I write as I read, meaning anything and everything. While this is true, branding is everything these days, so lately I’ve been giving serious consideration to what I do.

I hit on the romance/erotic romance market mostly by accident rather than intent and I call this side of my writing ‘non-traditional’ romance in that I’ve written a large portion of gay or ‘m/m’ titles, also menage, and those in themselves have ranged from contemporary, comedy, horror, science fiction, and fantasy. I want to have a serious try at writing a hetero romance, but I’m sure it will have a paranormal setting so I say ‘non traditional’ to explain that I write a range of pairings and sub-genres.

Of my non-romance work...again, it varies, but I realise that many of my stories seem to contain a dark thread. I’ve a short story, Bitter and Intoxicating, in the anthology Red Velvet and Absinthe (edited by Mitzi Szereto, foreword by Kelley Armstrong) that is a perfect example of this. It’s erotic gothic romance with more than a touch of horror. My one and only short story available at Untreed Reads called The Texture of Winter is impossible to describe. It’s about loss and pain and the end of life, and yet I feel the tale has a bittersweet quality. Both stories are unusual and yet both contain a dark thread. I kind of pride myself in being able to write almost any genre, but I’m trying to pin down what I most want to focus on, so I recently re-branded my site and myself as a ‘writer of dark and light fiction’, which at least seems to cover all possibilities. When I get a little ‘breathing space’ I plan to write a novel with that dark side in mind, just think ‘outside the box’ to see where it takes me.

UPDATE: Texture of Winter is currently out of print. I subsequently divided my romance and darker work and now use 3 versions of my name. I’ve started my first dark fiction novel.

Q3 Why do I write what I do?

An innate love of books, of stories, of story-telling. Books have been companions throughout my life. They seldom let me down. They’re a way to explore life, to live and experience other lives, to be someone you are not. They’re time machines, both into the past and the future. Stories are for enjoyment and exploration. They can teach or simply hold the reader’s hand through good times as well as trauma. I’d love to make a living at writing, but realistically so few writers do. Many writers write because they don’t know how not to. It’s a driving force. I’ve referred to it akin to breathing.

Q4 How does my writing process work?

I’m not sure. Every project feels different, and the process isn’t always the same. I call myself a pantser — a term in writing circles to mean fly by the seat of. Andy is mostly a plotter. When we co-authored a book, I found it a little exhausting, and it wasn’t just because we were stepping in at short notice and had limited time. Andy is fast, and he knows exactly where he wants to go. I can be fast, but not always, and not when plotting. Writing with someone else requires a certain amount of plotting to be inevitable, but I seldom know where I’m going, so following any kind of pattern felt alien to me. I may start a work based on an opening scene that’s come to me. I may have an idea where I want my characters to end up, but not have a clue how they will get there. On rare occasions I’ll know the end, but nothing or not much leading up to it. I have written things based on nothing more than a title or a handful of words given to me. Characters may come to me without a story, or I’ll connect two random events and realise there’s a plot hiding there. I really cannot explain how my ideas form because it can happen in many ways.

The writing process itself can also differ. I usually write from beginning to end, as if I were reading a story. Occasionally I’ll write random scenes or jump a few scenes ahead and then connect them, sort of in the way they produce a film. The writing can come easily or take forever. It’s a wonderful feeling when it’s flowing; other times...I can only say there’s an excellent reason writers refer to it as proverbially pulling teeth. When the writing drags it drags big time, yet I can’t base how good the writing is on how easily the work flows. Sometimes it feels as if a story wrote itself and poured out of me; other times I’ve had to wrench out every word, but in neither case does that tell me a thing about the quality of what I’ve produced until I shelve it for a while and come to the editing. That’s the one thing about my process — I like to shelve work before I do an edit. I may edit a little as I go, I may read over the previous day’s work to get me back into the story and tweak it, but before I do a first major edit, I prefer to let work sit a minimum of two weeks, preferably two to three months or even longer.

Q5 What’s new from you?

I’ve a short story called The Night Train in a magazine, Night to Dawn, and I’ve recently finished The Draco Eye a steampunk work for Space 1889 so that’s likely to be the next available longer work from me. The intrepid crew of Sovereign are heading for Jupiter and find the most fantastical creature yet...which the amazing cover reveals.

Coming next...current edits are on a book tentatively entitled Going Nowhere — a title that will probably end up changed owing to the publisher’s list of titles already in use. This is a gay erotic romance paranormal detective type thing that will be available from Loose id though I don’t have a release date yet. Who said a writer can’t mix things up?

UPDATE: Going Nowhere ended up releasing as Wildest Dreams, but is out of print. Loose Id ceased trading recently. I’ve had more work in Night to Dawn since.

Why I love Joss Whedon

I make no secret of loving Joss Whedon’s work. My appreciation started with Buffy, went on to Angel, includes Dollhouse (which really needs time to admire) and soared highest with Firefly. I adore Firefly. More accomplished in one season than some shows achieve over several years. Impressive story threads, wonderful casting, fabulous camerawork and editing. Then there’s his feature film work, which I won’t bother to list here. I’ve yet to discover something of Joss’s I don’t at least like. I understand his storytelling, what he’s trying to achieve even when he doesn’t convey all he sets out to do. What writer or creative artist ever does?

And then there’s his fight for equality. If I never thought Joss could go up in my estimation, I was mistaken when I realised his views on equal rights. Not clued in? Then sit down and watch the following when you have 8 minutes to spare. This is one man likely to put a smile on many a woman’s face for all the right reasons.

My Parents Will See This

Many years ago I wrote an amusing and eyebrow-raising short piece of prose called My Parents Will See This. It was in answer to an exercise someone set on a forum about how people have a mistaken view of writers. Although many laughed and were possibly slightly scandalised by my offering, there was a lot of truth in it. People DO look at something an author has written and raise an eyebrow or two; maybe they even whisper behind said author’s back. Or, these days, get up in their face.

My first published novel was a gay fantasy romance. I wrote it because the idea nagged at me. I had no other agenda in mind other than I had chosen a publisher I wanted to write for, and I had found the perfect idea to fit them. Even if I hadn’t a publisher in mind, I would have written the story. It bugged me, kept me awake, distracted me, begged. The only way to get this story out of my head was to write it down.

The publisher I had chosen produced erotic romance. I knew the story had to be explicit. Talk about a jump in the deep end. My first full-length novel and I made it not only explicit but at heart a gay romance. Try explaining that to the relatives.

Writing anything in the least sexual is probably the most difficult to contend with. People will come to peculiar conclusions. The romance genre has expanded in recent years to include cross-genre writing from paranormal through to erotica and even BDSM. Some writers have experience in some of these categories, but not all. So how does a writer ‘write’ a BDSM story without being involved in the life? How does a straight woman write a gay romance?

Research. The writer reads. The writer asks questions. The writer studies how other writers are doing it. The writer dissects a book he or she enjoyed in that genre, and although I’ve mentioned explicit content here as a prime example, these basics apply to any work. It never ceases to amaze me people can get so fired up over sexual content, yet those same folks won’t say a word against the latest horror novel or film. Some do, of course. I’d like to protest and claim no one approaches the crime or thriller writer and asks them where they hide the dead bodies, but they probably do. Crime or horror writers get asked as many peculiar questions as erotica authors. I know they have asked King how he sleeps at night and he has apparently answered, “Very well, thank you.” Still sex seems to receive the highest negativity. What two consenting adults do isn’t okay, but a ski-masked killer hacking up young virgins is? Many an erotic romance writer shakes a head over this—just not one they’ve decapitated.

Sex is another part of the human condition, same as death, same as fear, or joy, any other experience or emotion. Writing sexual content does not mean the author spends the weekend trying out the latest ‘toys’ for review or even as research. It does not mean the writer is a nymphomaniac. Not all erotica writers wear corsets on the weekends. A roundabout way to get to my point.

BE TRUE TO THE STORY.

It doesn’t matter what you are writing, IMHO the writer needs to be true to the content. If the story needs sex, then consider in what context. Same for anything explicit—there shouldn’t be gratuitous sex, same as there shouldn’t be gratuitous gore. What counts as gratuitous is another argument. The quick answer is everything in a book has to propel the story. Everything a character experiences must change that character. If writing for an erotic romance publisher, the writer has to include sex so the trick would be to come up with an idea that allows sex to occur, but includes the other elements of story and plot. Another genre might approach this from the other direction—the story may require sex and the author will include it only if needed, but if writing for a market that requires such content, it’s the writer’s job to work it in as part of the storytelling. The same with horror. The writer knows it’s necessary to scare the audience.

There are distinct styles required for different books, and various markets, and if the author wants to write for them he or she must accept this. Don’t worry who will read it. No one need read it until the author is ready to put the story out there. Even then it can always go out under a pen-name, although be aware this does not guarantee anonymity, especially these days.

I’m saying, don’t be afraid—if you want to write, you can’t be—and that applies to whatever the author is writing. Maybe it’s not a sexual scene. Maybe a character needs to die horribly. The writer just knows his or her mother will be terribly turned off by it, even sickened. Who and what should the author be loyal to? The parent? The story? One could say the writer should be true to the reader, but before that the writer needs to be true to the writer. Put into a story everything it requires, regardless of what others might think. No more, but definitely no less.

Not convinced? Try it. If the writer is lucky enough and has found the right genre and the right voice to work with, that’s wonderful. If not, then write something with all those worries and barriers in place. Then write it again with those barriers lowered. No one need see it. See if that changes the outcome. I know it did for me.

Dragon #6

The last dragon I posted was my smallest, though this one isn't much larger. It's nothing fancy, just a minor item I picked up one day in Tintagel because I wanted to bring another dragon home and they weren't selling the HUGE one in the window (which I probably couldn't afford and definitely couldn't house).

It's supposed to be the stone of our anniversary month, but I don't know in what universe because I'm sure it's wrong. Still, it's hard to say no to the dragon hoard.

Reacting to Reviews

Having heard about a writer getting an unfair review the other day (I read it and agree) this seems as good a time to talk about reviews from a personal perspective that I hope applies to both writers and readers, (who are both potential reviewers), and professional reviewers who assess books and stories regularly. All writers dream of receiving great reviews, but negative feedback affects everyone differently. I can only tell you how I handle the subject.

I forget exactly where I read this statistic, but as a guide, 20% of readers will hate your book. Don’t believe me? Read this wonderful take on negative reviews by author Beth Revis: How to Respond to Negative Reviews. She puts it so eloquently. Once you read some statistics, you’ll have a clearer picture.

Another occurrence, brought to my attention by an acquaintance, was of someone who had compared Dracula to Twilight and said they felt Twilight was the better book. No, I am not here to argue or dissect either work. I will say that IMHO no one can compare the two books. I am 99% certain that the author of Twilight might even agree with me. I don’t care whether you love or loathe either work or both: they don’t belong in the same sentence. They are two different fictions, written with distinct styles, at distant points in history, with a difference of purpose in mind, and with different influences. My acquaintance felt quite upset readers were touting Twilight as the best book of all time. Again, I, and the author of said book, would probably understand where my friend is coming from. There are many books I love in all genres, but ‘best book of all time’? Think of that phrase for a moment, of what it truly means.

I have to say for me to choose such a book would require more thought than I have time to spare. It would have to be a classic. It would have to be something that has already outlasted the test of time. Conversely, maybe such a book has yet to be written, doesn’t even exist yet. Be careful when rating books. It’s fine to give a book 5 stars on its own merit, but if you’re *comparing* it requires more thought.

How fair is it to compare one work to another, though? I give out 5-star reviews for good reads, but if I was giving stars to my personal library judging by those I loved the most, the grading would be noticeably different. I don’t put that classification *out there* when reviewing other authors. I would feel I was doing them a disservice.

It’s all subjective, anyway. What one person loves, another hates—wouldn’t it be a boring world if we all liked the same thing? It might be one thing to downgrade a book owing to poor presentation, but a story that isn’t one person’s ‘cup of tea’ may be the favourite read of another.

When writing a review I would urge to remember whether one is grading a book by the level of enjoyment or against other books. I would keep in mind that while I might have quibbles with the book, it has already passed inspection—in most cases a team has worked on it (not just the author) and have decided it is good enough for publication. Some ideas in the book may not have come from the author at all. Edits happen. There may be something in the book a reader dislikes the author also didn’t want but had no choice other than to accept after signing a contract. Yes, that is a fact of publishing. Or, the part the reviewer hates may be the part the writer most loves. In the words of J.K.Rowling, “I’m not taking dictation.” There’s little point wishing a book had *gone another way*. Don’t enjoy the books coming onto the market, then go write ones you like. Maybe you can become a writer yourself, maybe you already are. Either may ‘discover’ a new brand of fiction with fresh ideas.

If you’re a writer and receiving a bad review...well, this is how I deal with them. Set it aside. I read it and put it down for twenty-four hours. I put it completely out of my mind and let my blood cool. Then I read it again. Then I take the time to consider it. I judge whether the reviewer had a point. If so, I try to learn from it. If not, I dismiss it.

A bad review can be very helpful if the reader has something constructive to say. Equally, a reader can miss a point you were trying to make. I’m not saying the reader is *wrong* when that happens. I’m saying — And This Is The Important Thing — we are all influenced by our life experiences. We all have our own likes and dislikes.

I once received a bad review that neither I nor my editor agreed with. My editor at the time told me the reviewer couldn’t have understood the pressure one of my characters was under. Even though my editor felt the same way I did, that review stung...for about two days when I received a message from a reader gushing in delight over the very thing the reviewer had hated. That distinct point made the book for the reader where it killed the story dead for the critic. Neither was wrong, but nor was I. I had written that scene for a good reason. The reader *got* it; the reviewer didn’t. It came down to preference and 'personal experience', and that’s something both writer and reviewer have to keep in mind.

Try to learn from negative reviews. Take them seriously. Consider the points raised and decide whether you would have written the story any differently. If the answer is no, then dismiss it. To do so can be harder than it sounds sometimes, but I urge every writer to practise it. If there are issues the writer does not have answers to, keep those points for the next book, or use them should the book ever get the opportunity for a revision.

NEVER respond to a bad review. There have been too many public meltdowns of authors getting into arguments with reviewers. Who is in the wrong or who is right doesn’t even come into it. Online trolls write too many bad reviews and there’s no getting through to them; often the tone of that review reveals their intentions, anyway. Such simple disagreements can ruin careers. Then you have writers such as James Scott Bell who advise the writer not to read reviews at all. I understand that thinking equally, although I also know sometimes reviews can be useful. There are reviews of my work that I read, and others where I do not.

I will leave readers and potential reviewers with one last thought. Many times those who hate a work are more likely to say so. If you love an author’s work, truly the best way you can help them is not to contact the author—although that’s always wonderful and much appreciated—but to tell the world. Do you love a book? Review it publicly. There’s really no better thing a reader can do for an author whose work they love so much—for the author and for the reader who wants that person to keep writing.

Dragon #5

I thought to share something a little brighter, so chose another of my dragons. In this instance, my smallest dragon. He's maybe an inch long, made from natural stone. At the time I bought this one from a gift shop in Boscastle, there were many available in various types of stone and I considered buying a few more, then the next thing I knew they seemed to disappear. Plenty of other animals are still available, but the dragons appear to have vanished back to myth and legend.

A Who Review

From Blogtor Who and I couldn’t be more delighted:

“This particular story, concocted by Sharon Bidwell, is an intriguing one. Jo is experiencing groundhog day. The same flight, journey and cabin crew. Over and over again. Enter the Doctor.”

“In addition to bringing fans a dream Doctor/companion combination, The Infinite Today provides a thoroughly enjoyable short trip.”

“However, it was a beautifully executed moment of poignancy right at the very end which caused the tears to well up in this particular  listener’s eyes. Unexpected but that little moment brings the whole thing together perfectly. Sublime stuff.”

Read the entire review at: https://www.blogtorwho.com/review-doctor-who-the-infinite-today-a-dream-doctor-companion-combination/

Read by Katy Manning

My Doctor Who Short Trips story The Infinite Today is now available for download from Big Finish. Drop by to listen to or download the trailer.

Jo Jones is travelling. Setting out from London Gatwick to Mexico, she lands back at Gatwick.
Jo Jones is travelling once again. Setting out from London Gatwick to Mexico, she lands back at Gatwick with the exact same crew and passengers.
Jo Jones is travelling once again. Setting out from London Gatwick to Mexico, she lands back at Gatwick with precisely the same crew and passengers, again.
Jo Jones is travelling once again…

 

https://www.bigfinish.com/releases/v/doctor-who-short-trips-the-infinite-today-1935

The Passive Argument makes me Tense

Several months ago I had the pleasure of reading a book on writing by an American publisher that doesn’t negate the entire use of ‘passive’. For anyone who is saying, “Huh?” a somewhat humorous but an excellent example I’ve seen recently is this (sorry, I don’t know whom to attribute it to):

She was eaten by zombies.

Zombie ate her.

The first is passive, the second is not. American publishers (I can’t speak for non-US/UK countries as I’ve no experience) can be more selective about passive to the point of banning it altogether. Some, unfortunately, go to such lengths to avoid a single instance that they will rewrite whole paragraphs into awful stilted entanglements that are cringeworthy. British writers especially seem to have a hard time with this, probably because our rule on passive is simple: Don’t overuse but no need to avoid at all costs. British publishers don’t seem so worried about passive, and I know I’m not the only writer to never have passive sentences pointed out until I wrote for a US publisher.

It’s difficult to argue wrong or right because many publishers have a house-style and if they reject passive, they have the right; however, it’s to everyone’s detriment to rewrite the occasional use if to get the same information results in a sentence so convoluted it makes the reader wince.

Other forms argued with are ‘to be’ or ‘was’. Some publishers become known for ‘de-wasing’ work. I once read a submission guide taking this to extremes and stating the writer was to remove every instance of the word. Many writers consider was to be a throwaway word—one that passes through the ear and mind without calling too much attention. I’ve heard other British writers ponder what is so wrong with all forms of ‘to be’.

Passive can be used to great effect, in fiction and in life. Politicians and solicitors purposely use passive to deflect answering questions directly. One can find examples of passive in many famous poems that would have lost power had the authors written the passive out.

And don’t be confused (yes, be confused is passive). There is such a thing as passive ‘writing’. There is no such thing as passive ‘tense’ no matter who uses this term. A tense is a set of forms taken by a verb—the simple tenses being past, present, and future. There is passive writing or passive voice, but not tense.

Sometimes passive is superfluous or ‘gets by’ the writer during the draft, and it is worth checking and getting rid of a percentage. Fewer passive sentences increase the pace and that’s largely what a modern audience wants, so it’s at least understandable that publishers encourage minimum use.

Reads of 2019 continued

NOS4R2, by Joe Hill reads like a children’s book for adults blended with a dark thriller. Though surreal, perhaps bizarre, the increasing conflict kept me enthralled. It’s been a while since I felt I couldn’t put a book down and while I maybe didn’t feel like that all the way through I did for most of the novel. This may be in part because Joe Hill has created a better heroine for me than many blockbusting movies. Victoria may be a mess but she’s a mess with reason, has stamina, purpose, tenacity, and a whole list of exceptional traits that many female leads lack. Perhaps some belief edged close to the line but in a world where Christmasland exists a thought or bike ride away I’m prepared to suspend my doubts for the sheer enjoyment of reading. I like the way he stretches the story over time told at different points in the characters’ lives. I may never enjoy Christmas in quite the same way but will happily live with that too for such a well-thought and excellently presented story which tugs on so many emotional strings.

V-Wars edited by Jonathan Maberry best known for his Young Adult zombies book also writes for adults and proves he’s capable of handling the vampire genre. I started this because the series in in production. The thing instantly to stand out for me was I’ve never seen a multi-authored book arranged in this manner with the stories broken up into parts and a sliding timeline. I can easily see why and how this was adapted for television.

The Doll Factory, Elizabeth Macneal: I have to admit the style distracted me at first but soon drew me into the world of Victorian London. The perfectly assembled cast delivers a tale of love, obsession, and atmospheric horror. The fair Iris who wishes to better her situation; her poor embittered sister, Rose; the exuberant Albie; the questionable love interest in Louis; and the infatuated Silas. I couldn’t help thinking of undertones of John Fowles ‘The Collector’ although if that in any way gave inspiration to this novel the author has enriched a basic idea and made it her own. Also, I think the comparison to various other titles is a pity as people like John Fowles are literary noteworthies (regardless of whether you like them) which promotes the book to a level difficult to attain. Some books are simply enjoyable. I’m uncertain whether to consider some parts of the story entirely historically accurate but the tone suffices to transport the reader into another era. The only real downside for me is that I was expecting something perhaps a little more gothic. Still, a fabulous debut.

Dracula, Bram Stoker: A re-read of a classic I’ve not touched for many years. A book of this type will always receive mixed reviews. A classic, by definition, is always a book of its time and will jar for a modern reader. Especially for a modern reader who has not read classic literature for most of their life. My childhood books included novels such as Tom Sawyer and Treasure Island so I have no problem with reading this. At such times when Dickens was popular, writers were paid by the word so if any such novels feel padded there’s a reason. This book does feel overlong, and if written/edited now would be much shorter. I’d particularly forgotten the peculiar way Van Helsing speaks which I read with a blend of irritation and amusing pleasure. In the 21st century the book has many faults, much of it reading like Victorian melodrama, and is far from horrifying, but in 1897 Dracula would have been petrifying. It’s almost impossible to review a book of this type so it’s important to understand how this novel was pivotal.

Though Stoker did not invent the vampire myth or write the first well-known story, he wrote the crucial novel, bringing us a vampire who would popularise the genre and creating a legend. Like the writing or not this book deserves its pedestal. Stoker touched on the darkest fears, not only of the time, but at the heart of terror, a creature capable of overtaking the human mind, of seducing, of changing shape and appearance, of ‘infiltrating’ the home, the heart, the marriage bond. Horror novels often reflect societal fears of the moment, and Dracula is no different though many of the same fears exist more than a century later. Stoker also puts into the mind unforgettable images — a wild country of superstition, Dracula’s towering castle, Harker’s slow realisation he’s a prisoner, Dracula’s vertical crawl, his intention to take over London, the crazed incredible Renfield, Dr Seward’s asylum. And, perhaps, for women today, the book represents the ultimate equality statement. Lucy and Mina’s story both begin with them represented as something beautiful and fragile, ‘creatures’ who can do nothing without their men and who require protection. The book ends with a gun in Mina’s hand. She has become a far different woman from the shy girl who did nothing more than look forward to a life of marriage. She wishes to protect Jonathan as much as he longs to protect her, perhaps placing Stoker as a realist and/or ahead of his time. Still, there are moments that sit uneasy with me, the worst of which is the historical error that anyone can provide a transfusion without blood-matching, a fact not discovered at the time but which cannot help making even this modern reader wince.

The Shining, Stephen King: I’m sure there’s few people who need telling the plot of The Shining. Alcoholic writer takes a job at the Overlook Hotel to be the caretaker over the winter taking with him his wife and son, only young Danny Torrence has a talent the like of which undocumented and to the ghosts of the Overlook he’s a shining beacon. As a side note for anyone who has only seen the film, the book is decidedly different with a depth the film lacks. This story is also far creepier than I recalled, maybe because you can feel a five-year-old’s panic.

Doctor Sleep, Stephen King: This novel returns to events which happened in the Overlook Hotel of ‘The Shining’, with Danny Torrence now grown. A well written and enjoyable paranormal thriller but don’t go into this expecting the same type of scare.

Dirk Gently’s Holistic Detective Agency, Douglas Adams: Having recently watched the series, I wanted to read the books and I’m glad I did because they vary greatly. Dick is only somewhat similar to the energetic performance in the show. The interconnectedness concept makes these a fun read. Though they’re not as good as Adams’ other works they have an inherent cleverness, and it would have been nice to see how the series may have developed had Adams written more than two and a third incomplete. This is my favourite of the Dirk Gently novels.

The Long Dark Tea-Time of the Soul, Douglas Adams: Though I preferred the plot and concept of the first Dirk Gently book this one perhaps has the stronger ending. I advise to read them in order — connect them as Dirk would do. Well worth a read and to be forever haunted by an ominous fridge.
The Salmon of Doubt, Douglas Adams: A collection of essays and a well put-together but incomplete last Dirk Gently novel, I can see how this will always garner mixed reviews. Overall, I enjoyed this book as there’s something poignant about reading Adams’ words one last time that makes this a fond farewell, but the lack of an end to the Dirk Gently book left me disappointed and wistful, but the story was shaping up so well I’m glad to know as little as I now do. Maybe one for true aficionados but a touching book to add to a collection.

The Cabin at the End of the World, Paul Trembley: My first read by this author but not my last. I wasn’t sure about the style at first but that made it different and I was so quickly drawn in and almost instantly riveted. A cabin in the woods, end of the world, hostage situational horror story with a twist and real uncertainty that digs into surprisingly emotional depths, and an end I found satisfying. If this is indicative of this author’s work, I’m in for a treat with his other titles.

The Reddening, Adam L.G. Nevill: The Reddening paints a highly descriptive portrait of the South Devon coastline unlike any I’ve read before, bringing the setting to life and creating a realistic landscape in which anything, even the horrors of the book, seem possible. Nevill has a way of writing horror through not only what is said, but also what’s not said, and left to the imagination, is perhaps worse than the words on the page. Several scenes had me so engrossed I even jumped once when I lost track of time disturbed by someone coming home and opening the front door. Nevill writes intellectual horror enhanced with a rich vocabulary.

The Bishop’s Wife, Robert Nathan: As a fan of the original black & white film, I was curious to read the story. Only able to find this as a 99p download, I took the opportunity. Though the basis of the plot are present in both, they are very different expressing both similar and yet varying philosophies. I have to accept I prefer the film which injects humour and perhaps a greater depth to the story.

Reads of 2019

I usually look back at a year of reading at the start of another so here are my most notable reads of 2019. There's quite a few so I'm splitting these into two blogs.

Teacher, Teacher! by Jack Sheffield is not normally my kind of book but throughout the year I read the series. Told perhaps with a little artistic license (it’s not possible for the narrator to know what others are thinking) this makes for a novel that feels part storytelling and part memoir. As sad at times as it is humorous in others. I want to say this series makes for a pleasant read though I don’t think it does the book justice. For those who like books a little biographical in nature, perhaps, this has a much warmer tone of fiction. Charming and nostalgic.

Wolf Winter, Cecilia Ekback: A Swedish mystery set in 1717, this was a surprising read, skilfully accomplished. This is a book more suited to adults, although the protagonist seems to be Frederika, a young girl which is surprising as the general rule for fiction is the age of the main character determines the reading age. I loved the historical atmosphere, the remoteness and added complications of the environment. There were enough twists and possibilities to keep the reader guessing, with the setting as much a character as any of the people.

Fahrenheit 451, Ray Bradbury: Hard to believe I’ve never read this classic before. The book opens to make the reader question what he or she is reading. It has a crazed, abstract poetry to it. Gradually, it dawns the story is about much more than is seemingly on the page, questioning the meaning of books, the attention span of society, of works  shortened, condensed into snippets, even of politics, censorship and, ultimately, war. The book feels timeless yet never more timely than now, speaking of people turning from books to technology. This story is visionary. Clarisse McClellan: ‘She didn’t want to know how a thing was done but why.’ Fantastic line. Even better ones: ‘If you don’t want a man unhappy politically, don’t give him two sides to a question to worry him; give him one. Better yet, give him none.’ This on a page well worth reading alone. A subliminal work perhaps, certainly supreme. Some say works of fiction aren’t real but no fictional work can get more real than this.

Icebound, Dean Koontz: Another re-read for me that proved to be fun. This is the only real attempt Koontz says he made at a traditional thriller and he did a wonderful job. The factual details are enough to be engaging without boring and there’s a real sense of a ticking bomb. While there may be better thrillers on the market at the time Koontz wrote this he did a job good enough to translate to film although the ability to put this on screen likely didn’t exist to do the story justice. One particular mention, I love it when I’m reading and come across a sentence that expresses a perfect sentiment and in Icebound there is one: Politics was an illusion of service that cloaked the corruption of power.

The Searching Dead, Ramsey Campbell: First in a trilogy, this book has more of a slower pace than many modern day novels plus the protagonist is a teenager—unusual in a horror story though this may read more supernatural than horror. It’s certainly not horrific, more creepy with touches of sadness — the older generations do not fair well, from Mrs Norris missing her deceased husband, to Mr Noble’s father and his dark memories of war. While I would have liked to discover more about the strange haunting presences (can’t say more without giving too much away), this creates the foundation for a hoped-for deeper story. The setting makes for a nostalgic read, both good and bad, and I particularly felt the helplessness of being young and having no one believe or even listen to fears unfounded or otherwise.

Born to the Dark, Ramsey Campbell: In the best sense this book is an exercise in frustration, carrying on the story begun in The Searching Dead but moving several years ahead when the protagonist is now an adult encountering the strange Christian Noble again. The threat, now largely aimed at his son, Dom cannot shake off the vexation of having no one believe him, least of all his wife. With more insight to the great overall peril, a deeper mystery dragging Dom and his family and his friends into an impossible darkness…I hope the third book in this trilogy has the payoff the series deserves.

The Way of the Worm, Ramsey Campbell: First, I have to draw attention to the cover on this one. The more one delves into the story the more I realised how well suited the cover design is. The eyes grew creepier the more I progressed with the plot. Where the first of this trilogy portrayed the protagonist, Dominic Sheldrake, as a teenage, the second an adult, the third instalment enters his twilight years, which reflects the semidarkness that has plagued his life. His son is now an adult, but this only exacerbates both Dominic’s fears and the frustration the reader shares. The result convenes on a colossal scale and, if any parts of the tale come across as vague, or dreamlike, or illusory this fits with the tale we’ve followed, the half-truths and semi-falsehoods Dominic continues to battle. This reads as a modern Lovecraftian tale of a warped universe and fragile dimensions of tenuous existence. Overall, I thoroughly enjoyed the disquieting subtle horror.

The Silence, Tim Lebbon: An excellent apocalyptic thriller, well plotted and disturbing, tugging the heartstrings in all the right places. Simple writing which does nothing to reduce the tension but makes this accessible for most ages from young adult to adult in part because the story is told by two main protagonists, father and daughter. As a side note the film based on the book does not do the novel justice.

The Terror, Dan Simmons: I wish I could say I love this book. The amount of work and research that’s gone into this tome deserves well-received recognition. Unfortunately, I can only claim to like it. This has much to do with the book’s branding. If looking for a supernatural horror in the wilderness, this isn’t it. The reviews on the book refer to details such as a ‘massive combination of history and supernatural horror’ and a ‘tour de force’. Both are right but it underwrites the supernatural element while it overdoes the history part.

The most irritating plot point for me was the obvious device of having someone walk into a clear trap. I can’t say more without a spoiler but this frustrating point comes late in the book. I found some of the most interesting things in the book to be what the Esquimaux woman, Lady Silence, does. The woman who understands how to survive on the ice makes the efforts of the ships’ crews appear naïve and inept.

The book IS a masterpiece and yet suffers from overwriting more often than not. I really didn’t need to know so many names, or reminding of them, or a full list of men who died on the way no matter how much they took up the Captain’s thoughts. Fair editing could likely trim a good couple of hundred pages. If looking to read an epic tale of man’s survival in an Arctic wilderness, then this book is excellent. If seeking a shiver of supernatural terror, this may not be the book, for the reveal, though wonderfully strange, lacked some vital element to make it scary or compelling. The most horrifying aspect for me was the scurvy. I’d be interested in watching the series, though.

The Sorrow King, Andersen Prunty: Essentially, the supernatural cause of several teenage suicides, which is obvious from the outset, this story could have been better written and likely more exciting if told with more show rather than tell. However, there’s something persuasive about the narrative and the concept is interesting. I purchased the e-book because print wasn’t available.

The Living, Isaac Marion: The last in the Warm Bodies trilogy, a far superior Zombie novel that I would have loved to purchase in print to add to the two titles I already own. Alas, postage to the UK and import duties prohibited this.

My favourite in the series is and shall always remain the first book, a title which perhaps says enough, but this takes the exploration further, giving us a beautiful, painful, and sad view of the world. These books are about so much more than a horde of walking dead — it’s about life, love, relationships, politics, society, racism, religion to name the most obvious, though I’m certain that to each the books will have something different to say. With each title the books grew darker in context. At times the writing felt poetic, at others surreal, but always undoubtedly philosophical, which perhaps explains why the author has had to self-publish the third title. This is the most literary use of the zombie genre I’ve stumbled across, one that would be hard to exceed, and therefore publishers may have feared its lack of potentially purely commercial value.

I won’t deny moments where the story lost its grip on me, perhaps because each of the books has a decidedly different feel and the tone of the third was different to what I expected, but the way the author writes, the world he’s created, the intellectual significance behind the books are too eloquent to ignore. Though I enjoyed the last book the least, and it perhaps has some flaws, it completes an exceptional story arc, strong enough to be keepers for me.

The Rosie Project, Graeme Simsion: When I started this my first thought was OMG (the protagonist) is Sheldon (Big Bang Theory) but while it’s difficult for fans of the show not to see the inevitable similarities, it didn’t (as some people have pointed out) put me off reading but added another layer of amusement to the read. There’s a love story here with a difference. Intelligent, witty, at times throwing a light on human interaction in a way standard romances might not, this book is often joyful to read. I enjoyed this much more than I thought I would though the ending seemed a little rushed, perhaps explained because the book has sequels. I kind of prefer this as a standalone read but, if not for my to-be-read mountain, I might consider perusing the other titles.

Good Omens, Terry Pratchett and Neil Gaiman: A reread of a classic (while awaiting the DVD release so I can see Amazon’s adaptation starring David Tennant and Michael Sheen) by two outstanding authors who are also my favourite writers. This story displays both their talents, creating a meld of the sublime and ridiculous in all the right ways. Any fan of Douglas Adams would do well to pick up this story. The world would be a poorer place without this collaboration. Pure magic.