Ask Not What a Publisher Can Do For You

It’s an extraordinary realism for aspiring writers: many publishers and agents often seek authors who already possess a substantial following.

The search for publication can be akin to seeking that crucial first job — employers want experience, but how does one gain experience without a job? Traditionally, writers begin with shorter works, offering their skills for free, then progressing to paid assignments. With luck, perseverance, or a blend of both, they may eventually see longer works accepted, though not always or often with a major publisher. Many first publish with midstream or small press; indeed, it’s possible to manage successful careers with smaller publishers, and most writing credits improve a writer’s chances. Like with any job application, the writer builds a resume.

By saying publishers and agents seek writers with an audience, I’m not only referring to their preference for published authors. They have a keen interest in sales figures and, therefore, followership. Today, social media presence is an important and complex challenge. Writers often struggle to balance writing with networking, which, while occasionally enjoyable, can also be time-consuming, demoralising, and a tempting excuse for procrastination. Also, the effectiveness varies.

Accurate statistics to determine what works and what doesn’t are problematic. Success hinges on too many variables including but not limited to genre. A large following doesn’t always translate into sales, while some authors with modest audiences enjoy sturdy trading.

Publishers and agents naturally prefer writers with an existing readership. They desire assurance that taking on an author will lead to worthwhile sales. They’re increasingly interested in writers who can bring their own audience. Today’s publishers are asking not what they can do for the writer, but what the writer can do for them.

This shift partly explains the rise in self-publishing, and it has contributed to the perception that publishers prioritise writers based on what they can offer. But remember, this is not an absolute rule, and it’s important not to view the industry as heartless; we all share a love for the written word. Still, with this perspective, rejections become less shocking.

Sadly, these days some publishers do nothing, and writers will, at some point, need to ask the right questions. While tempting to sign the first hint of a contract, depending on the size of the publisher, it may be important to enquire about career prospects, potential sales, and marketing support. Understanding what questions to ask and when is more important than pressuring the publisher or asking obvious ones.

Update March 2024

Hi Everyone!

AT HOME:
We visited relatives for an extended Easter break and, for once, the journeys weren’t too bad despite a hold-up and diversion when returning home owing to a lorry on fire. Of course, these days, the moment one leaves the main road, there’s little to no help. Gone are the days when anyone puts out signs, and don’t bother relying on GPS as Satnavs try the utmost to turn you around to go back the way you came, placing you on the very road you need to avoid.

Monsoon season continues — we’re on our 8th storm of the year right now — and this is affecting a lot of the country. Farmers understandably complain about ruined crops, and business owners complain about lost bookings and fewer visitors. There’s been little in the way of a spring, though we could work on the garden occasionally.

FILM/TV:
Working our way through classic episodes of Doctor Who is interesting. At season 9 now, with Jon Pertwee, who was my first Doctor. I’d forgotten how argumentative this Doctor could be with Lethbridge-Stewart, though the smirk of amusement on the Brigadier’s face softens their confrontations. It’s a delight to see Katy Manning as the companion (Jo) being that she voiced the short audio story I did for Big Finish Productions. I remember her, of course, though I recall which episodes I’ve seen by the monsters more than anything. I’d also forgotten how adventurous Jo Grant was.

WRITING:
I am writing, though there’s not much to report right now, as I’m mostly doing some editing rounds and re-writes. Not very exciting but that’s how writing goes sometimes.
Stay happy and healthy!
Sharon x

Reads March 2024

Everlost (Book 1 of the Skinjacker Trilogy), Neal Shusterman

A teen book for 12 up that deals with death and, to some extent, what happens afterwards, although this isn’t a religious book. Everlost is a kind of purgatory for the souls of children who get knocked off course. The world the author creates with its various characters, creatures, and monsters is the best thing about it. However, there’s a lack of emotion from Nick and Allie over their death, to a point which struck me as unrealistic. There’s plenty to like about them, but there could have been more. Likewise, the suggestion of a budding romantic interest seems out of place so early in events. The book is more of an adventure plot than a teaching method, which is fine, though I feel it could have done more. Still, the book contains a great cast, and I’d still recommend this for children even though I feel some under 12s could read this. I was reading books like Oliver Twist when I was 8, so the nasty parts don’t seem to warrant such a high age rating for some. I’m sure well-read younger readers would enjoy this and it’s easily readable, containing some fabulous ideas, and a well thought out story world.

The Face, Dean Koontz

A re-read for me, and a well-plotted exceptional book for someone prepared to suspend disbelief and accept a storyline heavy on supernatural elements in a thriller involving a kidnap plot. Some of the descriptive passages could be called overwritten, and I can’t help feeling a little trimming would help the book. I liked the use of a child in this story, those chapters being some of the best. The parts which revolved around the antagonist(s) were a little heavy-going, but the various threads certainly keep the reader guessing with so many creating an intricate story overall. It’s hard to say more without giving the plot away.

The Girl of Ink and Stars, Kiran Millweed Hargrave

A young adult book that has enough of a story for adults to enjoy, with a story complex enough to stretch younger readers. The book’s beautifully presented with maps and patterned pages. The world building here stands out, though there’s something vaporous about the overall plot and some of the action sequences, which may confuse a younger audience. Even I found a couple of sequences difficult to picture; with all the drops off ledges, I expected broken bones. Although characters get hurt, they seem to have miraculous escapes. Still, there’s something charming and magical about this story. The young female lead shows more than her share of bravery, as do her young friends. I’m left wanting a grumpy old chicken.

A Stroke of the Pen, Terry Pratchett

A collection of lost stories written before Discworld. There are many hints of Terry’s developing style here and of his books to come. Light reading but charming, and every story left me smiling. Worthwhile for the dedicated Pratchett fan.

Green, Jay Lake

I’m unsure how I feel about this novel, which can easily be called an epic fantasy. The plot includes slavery, abduction, and mystical holy wars. Green is a girl whose path in life changes when her father sells her, but by the end of the book, the reader and the character have reason to question her destiny often. Mostly, I found the writing and story absorbing even though I don’t favour first person storytelling, but in parts I found the narrative lagged because of meticulous description, which includes all the training Green goes through. This made the book feel overly long despite much of the training being interesting. When we learn of the planned life path various people have for Green, there’s good reason to feel increasingly sorry for her. None of her choices appear to be wonderful, none of them simple. The sexual content never feels entirely natural or necessary, though perhaps realistic and handled well for those whose companionship is restricted. The details become somewhat vague when dealing with the various deities. I sometimes found Green’s character vs her age hard to believe despite her training, but it’s nice to see a young lead treated with the same respect an adult character would receive. For so long, the ‘rule’ has been a child lead marks a book for a young audience. That’s plainly not the case here, couldn’t be, and even though Green is in infancy when taken, we are privileged to her inner thoughts as she’s moulded into what others would make of her, while she battles to keep a sense of self. Strongly character driven, wonderful in parts, weaker in others, I’m pleased to have read this, but feel disinclined to read the rest of the trilogy, although Green makes for an interesting and capable female lead.